Ivan Pintor

Iván Pintor lectures in Audiovisual Communication at the Universitat Pompeu Fabra. He has directed numerous cycles for CaixaFòrum and the Mutations of the Gesture congress (UPF, 2012), made audiovisuals for museums and television, is a regular contributor to the Cultura/s supplement of La Vanguardia and has taught at universities in Italy, Colombia and Argentina.

He has contributed articles to over 30 books, including Mad Men (2015, Errata Naturae), Endo-Apocalisse. The Walking Dead, l’immaginario digitale, il post-umano (2015, Area Blu Edizioni), On the Edge of the Panel. Essays on Comics Criticism (2015, Cambridge Scholars), Nagisa Oshima (Donostia Zinemaldia-Festival de Cine San Sebastián; Filmoteca Española, 2013), La Strada di Fellini (Liguori, 2013), Poéticas del gesto en el cine contemporáneo (Intermedio, 2013), Totes les cartes (CCCB, 2012), Le Cinéma de Julio Medem (Presses Sorbonne Nouvelle, 2008), Universo Lynch (Calamar Ediciones/Festival de Sitges, 2006) and Naomi Kawase. El cine en el umbral (T&B Editores, 2008).